Arri Alexa XT Plus

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ALEXA XT Plus Features

Built-in Remote Control Features
With its built-in radio and lens motor electronics, the ALEXA XT Plus makes working on the set faster and more efficient. Plug the ARRI lens motors directly into the camera, turn on the wireless hand unit (like the WCU-4) and off you go. Integrating the wireless and lens control infrastructure into the camera not only saves time, but also weight, as a setup with an ALEXA XT and an external motor control box would be more cumbersome to cable and heavier in sum. Compatibility with the ARRI hand units, like the WCU-3 and WCU-4, as well as with the cmotion hand units makes this a very flexible tool.

The ALEXA XT Plus (XT = Xtended Technology) is the most versatile and flexible of the ALEXA XT camera range, and thus a true allrounder. With an integrated wireless receiver for camera and lens remote control, built-in tilt and roll sensors and additional connectors for camera and lens control, signal output and accessory power supply, the ALEXA XT Plus offers the best value for anyone who can live without an optical viewfinder.

Like all ALEXA XT cameras it has in-camera ARRIRAW recording, internal ND filtration, a 4:3 Super 35 sensor, LDS PL mount, new viewfinder mounting bracket, included anamorphic de-squeeze and high speed licenses as well as a new, super silent fan. Additionally, the ALEXA XT Plus also has a DNxHD license (DNxHD recording not possible with SUP 8.0, planned for SUP 9.0).

 

True anamorphic with a 4:3 sensor
For the most effective use of anamorphic lenses, each ALEXA XT model is equipped with a 4:3 sensor of the same size and shape as a Super 35 mm film frame. A 4:3 sensor is crucial for delivering the unique and cinematic widescreen look that can trace its origins back to the CinemaScope films of the 1950s. It is a look that has long been appreciated by cinematographers, directors and the viewing public. An anamorphic de-squeeze license is included with all ALEXA XT cameras, as is a high speed license for filming at up to 120 fps. The 4:3 sensor is also useful for non-anamorphic productions as it permits significant reframing of the image in post, similar to shooting 4-perforation 35 mm.

sensor-area

Record it all: Open Gate sensor mode
While 16:9 and 4:3 modes will remain the standard for most ALEXA capture, some specific situations will benefit greatly from recording in Open Gate mode, including wide angle establishing shots, image repositioning, resizing, rotating or stabilizing, native 3.4K VFX work, special venue projects or up-scaling to 4K.
High quality internal full-spectrum ND filters
The In-camera Filter Module IFM-1 for the first time offers neutral density (ND) filters that maintain a neutral color balance at all densities.

sensor-modes-with-open-gate

 

 

 

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